Tag Archives: Creative Thinking

Professional Reading January

29 Jan

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I know there are lots of books out there on creativity but Big Magic by Elizabeth Gilbert has a great deal to say. Gilbert writes that one of the biggest roadblocks to creativity is fear. Whether it’s the fear or failure or the fear of rejection, staff must be encouraged to speak up because often they won’t because they’re scared that their ideas won’t pass the test. As a leader, it’s up to you to communicate to employees that creative ideas are welcome and encouraged. A way to do this effectively is by clearly communicating that ideas are encouraged, and failure is not shunned, but instead viewed as a learning tool. We are teachers after all. Lifelong learners.

It can be hard to let your people make mistakes, but the same failure that stops them in their tracks can be the failure that helps them develop a stronger solution or idea. Instead of expecting perfection, good leaders inspire their employees to fail quickly and makes them feel safe enough to share and try their ideas. We do it with our students so why not with staff?

 

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Robinson

11 Dec

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Ken Robinson’s views on education have been well documented in his TED Talks. His most famous talk from 2006, “Do Schools Kill Creativity?”, is the most viewed TED of all-time. Yet, one can discern something of a Robinson backlash. I have heard and read the following perspectives:

(1) He’s not an educator. He has no idea what he’s talking about.

(2) He’s just a performer. Have you any idea how much he gets paid for these talks?

(3) It’s the same populist message, delivered the same way, every time.

I find his message inspiring as, evidently, do thousands of educators the world over. He speaks not of policy, but human truth. It is also true that he is a highly entertaining and disarming speaker – but this is hardly a negative for someone trying to convey an important message. His quick wit, narrative talent, and incisive perspectives are what make his delivery compelling and important

But his relate to are a challenge to the world of Contrived Complexity. As I rrewatched him this week, three statements stood out:

  • “Can we stop all this talk and just have a curriculum that works?”
  • “I’ve never met anyone who doesn’t have special needs.”
  • “A great school is about the relationship between teachers and students.”

If these three simple principles were applied to schools, what would the net impact be on learning? Perhaps topic for the next HOF Inquiry.

HOF Inquiry: Creativity

28 Jun

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This week I have been thinking about context v capabilities courtesy of our work with the Royal Society. Education is about more than accumulating large repertoires of facts and routines. However the demand for coverage unfortunately often results in a pedagogy of ‘teaching by mentioning’ that rewards formulaic learners. The challenge is to create a culture of teaching and learning that develops creative capacity. While teachers have always taught routine habits needed to solve routine problems, they now need to focus on the creative capacity building needed to solve more intractable problems. Profound pedagogical implications flow from this sort of thinking.

I loved the way we were given the opportunity to “blow stuff up.” That is sit in the seats of students. Creativity has become the economic engine of the 21st century and it is no longer a luxury for a few, but a necessity for all. Ken Robinson (2007) states that creativity is as important as literacy, Richard Florida (2002) writes about the rise of the creative class, and Dan Pink explains that,

“We’ve progressed from a society of farmers to a society of factory workers to a society of knowledge workers. And now we’re progressing yet again – to a society of creators and empathizers, of pattern recognizers and meaning makers.” (2005: 50)

If education is to prepare young people for a very different global environment, we simply must invest in students’ creative capacities. New combinations of creative abilities are increasingly in demand in a complex post-millennial world and what we know today is not as important as what we need to learn for tomorrow. Habits held too tightly become burdensome. As Leadbeater states, “What holds people back…is their ability to unlearn” (2000: 9). Learning is usually an incremental process, but when the environment suddenly changes the key is to dispense with past learning because old practices and routines will no longer work. This means challenging ingrained assumptions and people’s sense of identity.

The extent of this change is described by Bauman (Gane, 2004) when he considers the behaviourist ‘rat-in-the-maze’ experiments that paralleled the social shape of the world fifty years ago with its, “firmly fixed division of labour, career tracks, class distinctions, power hierarchies, marriages…(and) social skills…” (p.21). But Bauman proceeds to ask what would happen in a script-less and fluid social world,

“…if the maze were made of partitions on castors, if the walls changed their position as fast, perhaps faster than the rats could scurry in search of food, and if the tasty rewards were moved as well, and quickly, and if the targets of the search tended to lose their attraction well before the rats could reach them, while other, similarly short-lived allurements diverted their attention and drew away their desire?” (p.21)

Florida, R. (2002) The Rise of the Creative Class, New York: Basic Books.

Gane, N. (2004) The Future of Social Theory, London: Continuum

Leadbeater, C. (2000) The Weightless Society: Living in the New Economic Bubble, New York: Texere.

Pink, D.H (2005) A Whole New Mind, New York: Penguin.

Robinson, K. (2007) “Do schools kill creativity?”, TED, YouTube, http://www.youtube.com/watch?v=iG9CE55wbtY (Accessed 23 June 2017)

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Creativity

20 Aug

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Creativity has become the economic engine of the 21st century and it is no longer a luxury for a few, but a necessity for all. Ken Robinson (2007) states that creativity is as important as literacy, Richard Florida (2002) writes about the rise of the creative class, and Dan Pink explains that,

“We’ve progressed from a society of farmers to a society of factory workers to a society of knowledge workers. And now we’re progressing yet again – to a society of creators and empathizers, of pattern recognizers and meaning makers.” (2005: 50)

If education is to prepare young people for a very different global environment, we simply must invest in students’ creative capacities. New combinations of creative abilities are increasingly in demand in a complex post-millennial world and what we know today is not as important as what we need to learn for tomorrow. Habits held too tightly become burdensome. As Leadbeater states, “What holds people back…is their ability to unlearn” (2000: 9). Learning is usually an incremental process, but when the environment suddenly changes the key is to dispense with past learning because old practices and routines will no longer work. This means challenging ingrained assumptions and people’s sense of identity.

 

Video

Video of the Week

22 Feb

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